There’s even a “tap tempo” control where you can set the delay time by tapping the mouse in time with the music (which is great for an “almost-synced” delay time with a bit of vibe… providing you can tap in time!). They have all the usual time divisions (including dotted notes and triplets), and an “unlocked” mode where you can specify the delay time with accuracy to a tenth of a millisecond. The delay lines have all the features you’d expect. The delay section is based on two delay lines, one for each side of a stereo track. But as you read further, you’ll see that these aren’t your ordinary delay lines, they’re not your ordinary filters, and this is not even close to your ordinary routing and modulation. At it’s core, Timeless is based on two delay lines being fed into two filters. This is a delay designer, and it can do things you’d never expect from a delay plugin (and some things you’d never expect from any regular plugin). This is not your average delay with only a handful of different sounds. If it wasn’t already obvious, Timeless is a deep plugin. What do all these controls do? Does a delay really need 32 knobs? And can it still do simple echo? Read on… Four feedback knobs (that’s a LOT of feedback!), that tape/stretch switch (do we get to stretch the tape?), yellow rings around some of the larger knobs, and what looks like a synth envelope tucked in the bottom right (with separate knobs for attack, decay, sustain and release). But some strange controls might not be immediately obvious. After poking around a bit you might start to recognize some familiar controls such as delay time, wet/dry levels, filter frequencies, etc. Timeless has 32 knobs (plus assorted other controls) tightly packed into the plugin window. Or are you the kind of person who wants to use your delay plugin to make noises that no delay plugin ever should? Creating new modulation connections could not be easier: just drag and drop.How much control over a delay plugin do you need? Delay time, feedback, mix level? Maybe a couple more knobs for tone? Or maybe you’re the kind of person who wants a bit more control – perhaps you want to do ping pong delays or even a bit of modulation? With all the XLFOs, EGs, XY controllers, envelope followers and MIDI sources you will ever need, Timeless 2 offers practically unlimited modulation possibilities. Per-channel phase inversion is provided to create jaw-dropping flanger and phasing effects. The delay signal is fed to two high-quality multimode filters and then routed back to the delays with adjustable feedback and cross-feedback knobs. Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit), as well as RTAS (32-bit only) Extensive help file with interactive help hints Easy drag-and-drop modulation with 24-slot modulation matrix Endless modulation options, with all the 16-step XLFOs, XY controllers, envelope generators, envelope followers and MIDI sources you will ever need Normal and wide interface layouts, with an option to show or hide the modulation section at the bottom Revolutionary interface, using their innovative what-you-use-is-what-you-see concept Two state-of-the-art multimode filters with filter panning and 11 characteristics Tape delay or time-stretching behavior when changing the delay time Feedback, cross-feedback and phase inversion Two delay lines (5ms to 5 sec) with host tempo sync and panning Its unique high-quality filters and many creative options turn it into the ultimate sound-mangling machine! Create echo, chorus, flanger, phaser, scratch effects and much more. FabFilter Timeless 2 is not only a perfectly modelled classic tape delay.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |